for Cynsations

Author Interview: Tim Tingle on How I Became a Ghost from The Edmond Sun. Peek: "My great-great-grandfather...was 10...when his family began the long walk (The Trail of Tears) to what is now Oklahoma. I wanted to write a book based on these family memories that a young reader would enjoy, with humor and discovery, with snow monsters and shape-shifting panthers."

Author Insight: The Write Mood from Wastepaper Prose. Peek: "Sometimes the simple act of writing becomes challenging. How do you make yourself write when you aren’t in the mood? Do you ever reward yourself at milestones?"

African Youth Literature: What Visibility in the International Market? by Mariette Robbes from PaperTigers. Peek: "While catering for their local readership, publishers in Africa also wish to be known internationally and to have business with publishers from others countries."

Seven Questions for Literary Agent Gemma Cooper from Middle Grade Ninja. Peek: "If you expect publishing to be in its own weird timezone, then you won’t be as surprised when it goes through stages of being crazy-manic and then deathly quiet. Be patient and go with it."

The Cabinet of Curiosities: short fictions for the young and mischievous. Highly recommended.

New Voices Award from Lee & Low. Peek: "...award-winning publisher of children's books, is pleased to announce the fourteenth annual New Voices Award. The Award will be given for a children's picture book manuscript by a writer of color. The Award winner receives a cash prize of $1000 and our standard publication contract, including our basic advance and royalties for a first time author. An Honor Award winner will receive a cash prize of $500."

The Core of the Verse Novel from Marion Dane Bauer. Peek: "Because experimenting with new methods and styles is the best way to stay fresh in the midst of a long career?"

Tips for Tackling BEA from Wastepaper Prose. Peek: "...we know a lot of you are headed to NYC to attend. We've thought back on past experience and each of us has come up with some last minute tips that could help if you prepare and have an enjoyable show."

Diversity on the Page, Behind the Pencil and in the Office by Judith Rosen from Publishers Weekly. Peek: "In doing research for books, he (illustrator London Ladd) recommended that creators develop a relationship with others so that they can understand them better. 'It would enhance your work,' he said."

Kidlit Cares for Oklahoma from Kate Messner. Peek: "...because Oklahoma needs help right now, given the magnitude of damage from this week’s EF5 tornado. Please consider making a donation to the American Red Cross Disaster Relief Effort now. If you donate at least $10, I’ll enter you in a drawing to win a signed book."

Parragon Publishing India Unpacks High School Horror Fantasies from All About Book Publishing. Peek: "Parragon is one of the largest visual book publishers operating out of 35 countries worldwide. The company has tied up with the best printing facilities in the world and its books are printed in China, Indonesia, Malaysia, India, Europe, USA and other locations."

Pack(ag)ing It Up from Gwenda Bond. Peek: "No one I know who's done this kind of work has any illusions about the downsides going into it. Though I have heard horror stories about people it has worked out pretty awfully for or who were made to expect things that didn't materialize. But I will also say that not everything I've heard is a horror story."

Interview with Award-winning Author Don Tate by Brittney Breakey from Author Turf. Peek: "Speaking earns decent income and allows for promoting my books. But it also steals valuable time away from book making."

Is Our Culture Becoming Too Critical and Open? from Jody Hedlund. Peek: "...we're seeing an increase in readers sharing their thoughts about books more publicly (instead of privately or in the confines of book groups). And hence with the increased openness, we're also seeing more negativity (as well as positivity)." See also an Open Love Note to Debut Authors about Hurtful Online Reviews.

Turning Story Opening Don'ts Into Dos by Angela Ackerman from The Bookshelf Muse. Peek: "If you want to start with action, you’re probably a plot type person. Go ahead! You do need to show your main character in an interesting situation (notice I didn’t say dangerous, just interesting) where their own personality shines through."

Deepening Character: a Conversation with Cliff McNish from Notes from the Slushpile. Peek: "We’re prepared to forgive even villains a great deal if they make us laugh. It works doubly so for our heroes. Keep them seeing the amusing side no matter what happens."

Ruth and Sylvia Schwartz Children's Book Awards

By Lena Coakley

The 2013 winners for the Ruth and Sylvia Schwartz Children’s Book Awards were announced on Thursday at North Kipling Junior Middle School in Etobicoke, Ontario, where students gathered for a celebratory presentation.


Winner of the Children's Picture Book Award Category: A Hen for Izzy Pippik by Aubrey Davis, illustrated by Marie Lafrance (Kids Can Press).


Winner of the Young Adult / Middle Reader Award Category: The Reluctant Journal of Henry K. Larsen by Susin Nielsen (Tundra Books).

Aubrey Davis, Marie Lafrance and Susin Nielsen are all first-time winners of this award.

Cynsational Giveaways

• signed copy of Blaze (or Love in the Time of Supervillains) by Laurie Boyle Crompton (YA)

The winner of Ball by Mary Sullivan was Joy in Manitoba, and the winner of Nothing But Blue, Me, Penelope and Country Girl, City Girl, all by Lisa Jahn-Clough was Deena in New York.

This Week at Cynsations

• Eric A. Kimmel on Marketing Manuscripts to Publishers


• New Voice Polly Holyoke on The Neptune Project


• Event Report: Lindsey Scheibe & Riptide


• Event Report: Joy Preble & The Sweet Dead Life


• New Voice Laurie Boyle Crompton on Blaze (or Love in the Time of Supervillains)

More Personally

This has been one of my favorite work weeks ever!

I had an opportunity to review copy-edits on Feral Curse (Book 2 in the Feral series) from Candlewick Press and Walker Books (writer in action). And I had the opportunity to celebrate Austin debut YA author Lindsey Schiebe (reader in action) and connect in person with two amazing groups of teens and the librarians who lead them to reading success (author in action)!

Members of the Wolves Cedar Park High School Reading Group arrive in style at the Barnes & Noble Arboretum in Austin.

Reviewing the set-up with librarian Chris Kay (see her photo report on the event!)

Chatting with Cedar Park readers about reading and writing

Answering questions about the writing life

Wow! I was presented with a gorgeous plaque! What a thrill!

Posing with the top readers at Cedar Park High.

Dinner with blogger JennRenee, Greg Leitich Smith and public librarian Jane Dance at Louisiana Longhorn Cafe (we had fried and grilled alligator as an appetizer) in historic downtown Round Rock.

Chatting with the Round Rock Public Library Teen Book Club

Posing with the Round Rock Public Library Teen Book Club.

Bethany Hegedus, me, Jo Whittemore, Nikki Loftin & Cory Putnam Oakes at Lindsey Scheibe's launch for Riptide!

Cynthia Leitich Smith on Writing for the Long Haul from Janni Lee Simner from Desert Dispatches. Peek: "I have a respectful patience for the inner artist but always hold her accountable." Learn more about Janni's Writing for the Long Haul blog series.

Congratulations to Greg Leitich Smith on the upcoming re-release of the Peshtigo School books (Ninjas, Piranhas and Galileo & Tofu and T. Rex (originally published by Little, Brown) from IntoPrint Publishing, LLC! See more information.

Congratulations to Lindsey Lane on the sale of "Particles" to FSG! From Publishers Marketplace: "exploring themes of loneliness and interconnectedness from multiple viewpoints, set in or around a remote pull-out on a rural Texas highway where a particle-physics-obsessed teenage science genius disappeared..."

Personal Links

• The Ultimate Spaceship Face-off


• Tracing the Career of Judy Blume


• Time Management: Seeking Discipline


• David Lubar: First Public Stand-up Comedy Performance (PG)


• First Native American Actress to Walk Cannes Red Carpet


• What Parenting Books Can Teach Us About Critiquing

Cynsational Events

Join Cynthia Leitich Smith, Tracy Wolff, Mari Mancusi, and Emily McKay at 1 p.m. May 25 at Cedar Park Public Library in Cedar Park, Texas.

for Cynsations

Laurie Boyle Crompton is the first-time author of Blaze (or Love in the Time of Supervillains) (Sourcebooks, 2013) and looks forward to the release of Adrenaline (FSG/Macmillian, 2014) and The Real Prom Queens of Westfield High (Sourcebooks, 2014).

From the promotional copy of Blaze (or Love in the Time of Supervillains):

When comic-obsessed Blaze stands up to her evil ex, he posts a racy picture of her online and a battle of epic proportions ensues.

Before she knows it, Zap! Thwack! Pow! Blaze becomes the target of intense bullying.

She must learn to channel her inner-superhero if she hopes to gain the ultimate victory; rescuing herself.

Read an excerpt of Blaze.

How do you psyche yourself up to write, to keep writing, and to do the revision necessary to bring your manuscript to a competitive level? What, for you, are the special challenges in achieving this goal? What techniques have worked best and why?

As a debut author I’m in a unique (and extremely blessed!) position of having three books under contract with two different publishers so I have pressing deadlines all over the place.

Publisher deadlines are very effective motivators, but I still need to set my own deadlines along the way. Breaking a huge revision project into stages such as, “By Friday I will finish compiling research,” or “I have two weeks to do a final manuscript read-through,” makes things much more manageable.

It works well that I’ve always been able to convince myself that my own deadlines are ‘real’ which is probably helped by the fact that I’m a little bit gullible.

When I find motivation lagging I try to tune in to the inspiration that drove me to write the story in the first place. That initial spark is something that should continue to burn throughout the process.

I also try not to think about the book going public. When you write edgy YA, imagining your mother or grandmother reading your work can tend to stifle creativity. Of course, this game of pretending nobody will ever read the book grows harder as the process draws closer to publication day.

The writer’s worst enemy in the late stages is a little thing called perfectionism. The final read-through can be brutal since it’s the last time for making changes. It’s difficult to let go and release your book into the world, but there comes a point where you just need to decide on the word you have changed back and forth with each draft and accept the fact that you won’t be able to tinker with this story anymore. Then the best thing is to turn focus to the next project.

How did you go about connecting with your agent? What was your search process like? Who did you decide to sign with? What about that person and/or agency seemed like the best fit for you? What advice do you have for other writers in seeking the right agent for them?

I love talking about my wonderful agent! The day I signed with Ammi-Joan Paquette of the Erin Murphy Literary Agency was the day things turned around for my writing career.

Mind you, I still had a long path before getting that first publisher yes (and six months later the second one!). But I’m constantly telling writers they need the right agent, not necessarily the right now agent.

My path to publication had many twists and turns, and I know that feeling of wanting to get your polished manuscript in front of editors, like, now! But as tempting as it can be to jump on that first agent offer, be sure you listen to your gut before signing on the dotted line.

I learned this lesson the hard way. After working on my craft for a number of years I got my first offer from a reputable children’s agent and I was thrilled. Finally, here was someone who would get my book in front of editors! I was on my way! But on my way to where? It turns out I was in for three years of heartbreak and insecurity.

That agent happens to be great for some people and we split on the best of terms, but looking back it should’ve happened much sooner. I do not in any way blame that first wrong agent for those early manuscripts not selling, no agent sells every manuscript they take out on submission. But there were many signs along the way that we were not a good fit.

We parted ways. Within two months I had an offer from a new agent at an established agency on Blaze (then titled "Fangirl"). She seemed very nice and said all the right things, but I didn’t quite feel that love that I’d heard other authors talk about. I let the offering agent know that I had a few other partials out and here is the other piece of advice I try to tell any writer who will listen: in addition to contacting those agents with partials, I also wrote to all those with queries who I hadn’t heard back from, letting them know of the offer.

This actually turned into a few full requests, including one from my absolute top choice; Ammi-Joan Paquette. It turned out, she hadn’t received my original query but she was intrigued by my book and asked to see more. As things progressed towards her offer of representation, I came to understand that agent love that other writers talk about. And I certainly feel it still.

So authors, when you get an offer take the time to contact those agents you’ve queried! At the worst it will save busy agents time reading a query for a book that’s already spoken for. And at best, well, you just never know.

Cynsational Notes

Visit Laurie's LiveJournal.

Enter to win a signed copy of Blaze (or Love in the Time of Supervillains) by Laurie Boyle Crompton (Sourcebooks, 2013) from Cynsations at Blogger. Author sponsored. Eligibility: North America, U.K. and Australia. Enter here.

A few words from clauderainsrm:

In a mini-season that is all about moving quickly - LJ going down on the day of the original deadline was ill-timed to say the least.

But, we internet folk are tough, we figured it out and got through Week 1! Or rather, we are about to officially do that.

Welcome to the first poll of LJ Idol! Sure, you had a Week 0, but that was just the warm-up! This is for real!

Two of your fellow contestants were not able to get their entries in this week. Fortunately, for them - for all of you really, we ARE having “Second Chance Idol”. That means, from now until I say otherwise, if you are eliminated in the main poll, you get one more shot to hang on!

Which means, Welcome to SCI to:

pipistrelle and ugawa

In a couple days, you will have EIGHT more friends!

Yes, that means that we are losing the eight contestants with the entries that receive the fewest votes.
Even though it is an Intersection, this time around, all entries will be completely on their own. (no adding totals, unlike some Intersection weeks in the past)

Having a good partner to bounce ideas with is extremely valuable when it comes to the creative process. Who made it pay off for them?

I guess we are about to find out!

The poll will be closing Wednesday, May 22nd at 9pm EDT. So I hope you have been keeping up on your reading!

Read! Comment! and Vote! for your favorites!

Good luck to everyone!

( Click here to Vote!Collapse )
the correct entry for mac_arthur_park is at http://mac-arthur-park.livejournal.com/1047133.html Due to this error, she will obviously be "safe" this week.

for Cynthia Leitich Smith's Cynsations

Librarian Laini Bostian blogs at The Made Up Librarian. Today she talks to Eric A. Kimmel about authors marketing their manuscripts to publishers. 

Learn more about Eric from Scholastic.

Eric: About writing and marketing, it’s never one or the other. Professional writers do look to the market. They have to. There are always compromises and adjustments to be made during the composition process and during the revision and editing processes.

The key is how does the author feel about making the changes. If you go too far and say "yes" too often, you may come to a point where it’s no longer your book.

Also, some editors will tell you upfront that they may not be the one to handle a particular manuscript. It isn’t doing anything for them, or the changes they’d suggest would turn it into an entirely different story. Sometimes the writer can go along with that. Sometimes we can’t.

I’ll give you a recent example that just happened with the manuscript I’m sending out. I originally conceived it as YA. Several of the editors who've responded so far made the point that it didn’t feel like a YA. It felt more like middle grade.

My agent Jennifer Laughran called to talk to me about it. The editors may be right, she said. YA is edgier. The characters are older. There’s more sex and drama. My main character is finishing middle school. You might call the story YA, but it’s definitely on the younger edge of the spectrum.

It’s borderline between age markets, and as Jenn pointed out, “The border is where you don’t want to be.”

Editors can’t fit it into a specific genre. They can’t predict its audience or what it will do.

That can be the kiss of death these days.

What Jenn suggested is marketing, not literary advice: Take it down a couple of years. Forget YA and go for middle grade. It would be easy. The changes would be mostly cosmetic.

She also pointed out that the YA genre is glutted right now. It’s been so successful that everyone’s writing YA. Meanwhile, there’s a definite shortage of middle grade fiction.

So guess what I’ve been doing this past week? It’s a change I can live with. I see the point. It actually suits the characters, the story, and me more.

Are these revisions marketing decisions? You bet! Are they artistic ones? Definitely yes, because I feel comfortable with them and actually think the manuscript is better for my having made them.

Laini: So, if this work does not sell, will you be upset? What should young writers do? What would you say to them?

Eric: I’d be disappointed, but it’s happened before. There’s nothing you can do about it. On to the next.

However, that doesn’t mean you give up. Set the manuscript aside. Maybe you can do something with it later. Times change, so a manuscript no one wants today may become a hot item in a couple of years.

The advantage I have over young writers is I know the drill. A similar rejection could be devastating for a beginner. But again, so what? Will you quit and never write anything again?

Guess what? Nobody cares. Real writers suck it up and start something else. The ones that are only in it for a payoff will find something else to do.

What should young writers do? Write! They think they’re going to get rich? That editors owe them something because they scribbled out a manuscript? That they don’t have to revise?

Well, they’ll learn, and they’ll be better writers for it. And if they decide to spend their time doing something else, what of it? I guarantee there will be no shortage of writers or good books.